Transcript of interview with Mary Louise Williams by Claytee D. White, June 19, 1998


Digital ID
Transcript of interview with Mary Louise Williams by Claytee D. White, June 19, 1998
Material Set
White, Claytee D.
Interview with Mary Louise Williams conducted by Claytee D. White on June 19, 1998. Born in Cleveland, Ohio, Williams was musically trained and worked as a dancer at the opening of the Moulin Rouge in 1955. Following her career in social work and teaching in New York, she retired to Las Vegas.
Mary Louise Williams was born and raised in Cleveland, Ohio. Her mother, Carrie Randolph, preferred not to encourage young Mary Louise's interest in dancing—dancers didn't wear enough clothing in her opinion. However, Mary Louise was provided piano and violin lessons. Nevertheless, dancing would become part of her destiny. Among her dancing credits is being one of the first dancers at the new Moulin Rouge club when it opened in May 1955. As Mary Louise describes it, her appearance and being short, 5' 1", helped land her the jobs more on looks than her dance training. She was the perfect "pony" dancer at the end of the line. In addition, she was dependable. Mary Louise shares stories of her evolving dance career that enabled her to travel the world. She recalls her friends Anna Bailey, who also was a Moulin Rouge dancer, and Bob Bailey, who she knew since junior high school. Over the years she often returned to Las Vegas to visit. Though she lived much of her adult life in New York, she retired to Las Vegas and sat for this interview.
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CT247 .W537 2012
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Original Date (interview)
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This material may be protected by copyright. Personal, including educational and academic, use of this material is without restriction; but acknowledgement of the University of Nevada, Las Vegas, University Libraries is requested whether the use is oral, web or in print. Commercial use of any portion of this material requires permission. For further information please contact Digital Collections: This document is an oral history. It is a spoken account of certain events and phenomena recorded at one particular moment and filtered through one individual's life experience, sensibility, and memory. As such, it should be considered a primary source rather than a final, verified, or complete narrative of the events it records.
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University of Nevada Las Vegas
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546,093 bytes
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